dreamloom

Author: R.A. Porter

  • Burn Notice: “Signals and Codes”

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    My name is Michael Weston. I’m an actor. When you’re a busy actor you’ve got a lot. Cash, credits, job history. You’re stuck working in whatever city they decide to film in. Like Miami.

    Out from the shadow of the Paxson arc, Michael’s back to trying to find his way back into the Company’s good graces. Fortuitously, he is tracked down by a slightly anxious, slightly overwrought, slightly…oh, who am I kidding. He’s batshit. Spencer is the ever popular trope of the brilliant mathematician who suffers from schizophrenia. ((I swear, one guy goes crazy and has Russell Crowe play him in a movie and all mathematicians are suddenly crazy.)) He sees patterns everywhere and is able to track down Michael for help with a little alien/spy/treason problem.

    Weston vs. Westen is a hoot and I’m happy to see the writers left plenty of room for Spencer’s return. Because tonight was fun.

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  • Warehouse 13 premieres on the network with the stupid name

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    It was a big night for The Syphillis Network. ((Yes. That will be the only way I’ll ever refer to them henceforth, unless I somehow got a staff job on one of their shows. Pick a juvenile name; suffer juvenile taunts.)) They debuted their new name in the morning, ran their interminably long promo which looks like every other promo they’ve produced for the last five or six years, and premiered new summer series Warehouse 13. Sorta one out of three ain’t bad.

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  • Virtuality Premiere, Pilot, or One and Done?

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    The Virtuality pilot aired on FOX last night but I didn’t get around to watching it until this morning. I’d been looking forward to it a great deal due to its pedigree – Ron Moore, Michael Taylor, Gail Berman, and Peter Berg in various creative capacities – and the promise held in its premise: a dozen scientist/explorers aboard an experimental interstellar ship who were also the focus of a reality TV show and who were also dealing with a VR system with some glitches. With Ron Moore at the helm the risk of the show being an amalgam of every bad holodeck episode of ST:TNG was as possible as the show exploring the edge of reality and humanity.

    So what was the verdict?

    I didn’t like it.

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  • Burn Notice: “Fearless Leader”

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    And so the saga, nay the tragedy, of Detective Paxson comes to a close. I’m surprised she didn’t literally whimper as she trudged off the screen. For a show that rarely missteps, Paxson was a rolled ankle, stubbed toe, and nail fungus wrapped in a somewhat pretty package. ((If you think that metaphor’s tough to parse, you should see the convoluted mess it was *before* the edit.))

    After the first two episodes of the Paxson arc I thought Bloodgood and her character showed some promise; seeing how the arc played itself out I’ve had to reconsider my position. I was wrong, wrong, wrong. Imdb only has Bloodgood listed for the three episodes in which she’s already appeared, indicating this arc is complete, though I expect we’ll see her later this half-season or sometime in the following half as an ally to Michael and the team. I do not look forward to her return.

    At least we had some fun moments with Nick Turturro, my favorite being Fi’s lobster/bug line and the whole of the bush league smash and grab at the dry cleaners.

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  • Burn Notice: “Question and Answer”

    burns3e02Things are heating up in Miami, Eff El A. Michael’s got a new admirer in Detective Paxson, she of the sly smile and withering looks, and some C4 in storage. If Paxson finds out what Michael’s got stored, things will get downright explosive.

    Oh, and there’s a kid in peril and a birthday party in the works. It’s a busy day.

    The Recap

    Detective Paxson comes by to introduce herself to Michael and invites him to spend some time chatting at her place with bars and handcuffs. In the process, she takes away Fi’s bail jumper and costs her a commission. Which of course leads her to jump at another job on a referral from one of her former jumpers. Apparently a real sweet guy, he holds no ill will to Fi and sent his sister her way when she needed help with her estranged husband and missing son.

    Bad things gravitate to  Michael, so of course this is a kidnapping.

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  • Royal Pains: Pilot

    royals1e01Light. Frothy. Summertime fun. If you like your summers the way I do, with frosty drinks and evening breezes off the ocean, you might have enjoyed the premiere of Royal Pains as much as I did. Then again, if you’re in the camp who finds Mark Feuerstein bland and uninteresting, you might not have liked it. To each his own.

    Me, I like Feuerstein quite a lot and have been waiting a long time for him to get a show that fit his persona. I liked him fine on The West Wing, but he doesn’t strike me as a Sorkin lead. He’s been good in some bad things and servicable in some good things, but this time I think he’s found the show in which he’ll shine.

    Plus, he’s got the luck of a TV doc.

    I don’t know about everyone else, but I’ve played a lot of pickup ball in my day, against significantly less healthy competition than Doctor Hank, but not once has someone collapsed with heart failure. And at all the posh parties I attend, as filled with supermodels as they may be, never has one of them sniffed a flower and gotten poisoned. ((My ex-Mossad bodyguards do carry Mark 1 Kits for just such an emergency, however.)) What I’m saying, is that Doctor Hank sure does find himself near a lot of critical people. I’m not sure I’d walk next to him in a thunderstorm.

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  • Burn Notice: “Friends and Family”

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    Fiona, he did his government work, as you call it, for a reason.

    For what? His country? And what have they done for him lately, other than betray him, leave him for dead, ruin his life?

    The fact that you have to ask means you’re never gonna get it, Fi.

    It seems like ages since Michael Westen jumped out of that helicopter, but the long wait is over and he’s finally coming in from the wet. Not in from the cold, however. If anything, the blanket of protection his mysterious benefactor-betrayers had provided has been lifted exposing him to the elements and the scrutiny of people it would be best ignored him.

    It doesn’t take long – less than two minutes, in fact – for Michael to attract the unwanted attention of a bicycle cop at the beach. Things are definitely going to be different this season. Maybe.
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  • Burn Notice Season Three

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    Michael Westen’s had a rough couple of years, even if they have been in the sunny clime of Miami.

    Burn Notice Season 3 premieres this Thursday, June 4, 2009 on USA Network in its new timeslot at 9p/8c.

    Tracked by Feds, hassled by Bly, attacked by Arye Gross, and splattered in Toby Ziegler’s blood, and that was just the first season. He’s been tricked and threatened by Cylons and partnered with a psychotic stargating archeologist. But now he faces his biggest threat of all: a pretty cop with the tenacity of a Terminator. ((Or of an actress in a Terminator film.))

    The new season opens where the last one left off, with Michael five miles offshore, swimming back to Miami. But the good news is…

    Well the good news is that…uh…your status has changed. I mean, whatever magic they were working to keep you out of the police computers, they’ve stopped. Oh, you’re back on the radar of foreign agencies, too.

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  • Royal Pains premieres on USA Network

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    I’ve been a fan of Mark Feuerstein for a long time. I even pushed through the pilot of Good Morning, Miami, subjecting myself to 22 minutes of Ashley Williams, ((Those who know me will know my extreme antipathy for that doe-eyed, charmless bimbo who nearly ruined season one of How I Met Your Mother with her talent vacuum.)) because of his presence. But other than a handful of appearances on The West Wing, he hasn’t had any roles meaty enough and exposed enough to take off. That might finally change.

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  • Pushing Daisies: “Window Dressed to Kill”

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    Nobody gave a crap about Clark Kent. He could disappear off the face of the Daily Planet, nobody’d even notice. But I bet he’d spit spandex to find someone special enough who cared about the man and not the cape.

    Viewing note: if you missed this week’s Pushing Daisies, you can watch it online at ABC.com. And don’t forget there are two more episodes to come the next two Saturdays.

    Oh poor Ned. Looks like Gregory Peck, bakes pies that are heaven, has two sweet and beautiful women in love with him, has a superpower, and yet can’t help but trip over his own cape. Repeatedly.

    Having decided the time to be super is past, Ned’s thrown out the rotten fruit and holstered his magic finger for good. Just a piemaker now, he’s not going to be dragged along by Emerson on his latest case and he’s not going to be dragging Chuck along. Of course Chuck, like Olive, enjoys the danger and excitement of Emerson’s cases, so she jumps at the chance to help out the sleuth.

    If Ned were looking outward more, he’d see that Chuck loves the thrill and realize it’s not so bad to have a superpower. But as is so often the case with Ned, he’s blindered and makes the wrong choice. No, that’s not quite right. He’s not blind, just too focused on the wrong things.

    Like Olive, focused on Ned with a laser’s coherence that she doesn’t notice Randy’s interest, ((Or Alfredo’s before him.)) Ned is so focused on being normal that he doesn’t realize Chuck loves him as he is. It’s not that Chuck wouldn’t love normal-Ned, but in separating himself from his power he separates himself from sleuthing, in turn separating himself from The Alive-Again Avenger and her “crusty, unflappable, streetwise gumshoe.”

    But Ned comes around. When he’s needed most, he faces his demons and uses his powers to revive a rhino and provide all the distraction a couple of runaway non-kidnapping kidnappers need to get away.

    Richard Benjamin and George Segal shine as Jerry Holmes and Buster Bustamante, more like parents to Olive than her parents ever were. Their love and concern for Olive shows in every glance, every word. And their unique focus on Olive – less like a laser and more like a warm wash of sunlight ((Too much with the light metaphor, I know.)) – lets them see what she can’t about Randy’s feelings.

    As for the MoW, I want to live in a world where window dressers have devotees. Sort of like the movie Mannequin, but better.

    What did everyone else think?